My hands are rough
my feet are cold
my knees are stiff
and my back is numb.
And when they aren't
my work will be done.
Tuesday, November 14, 2017
Rocking At The Cave Man Hop
There is no exception to the angst
not even in being well-read
intelligent and full of pondering
and playing the world in your head
like a Rubik’s Cube
trying to twist and configure everything
back to its origins
from the mixed up chaos it is.
Perhaps even more so
when confronted with the reality
that putting two thoughts together
in a world of wet gossip
is akin to dog-paddling upstream
with busted haunches
through a coral reef of crass concordance.
And still….
And still
the bedroom sophisticate must look down
at his forearms
at sixteen—or sooner—
and wish to use them to level the world
the reptile sleepily dorming
in the pleasure center of his brain
giving a moist hot hiss
and a caressing flit of its tongue
against the grumpy gray matter
goading him on
while the caveman in his blood
grabs his priapic cudgel
that wood tool of destruction
to beat out his timpani of haste
and frustration.
Beating out the blues
to a blue beat.
No dinosaur is safe.
No dinosaur is safe.
Once Upon An Art School Education
Once upon an art school education
I was imparted with the pricey platitude
that “beauty is in the eye
of the beholder”
and those that couldn’t see that
were blind
to which I offered
anyone who’d be holding their eyes
wouldn’t be doing much seeing
on their own part,
and garnered a backhanded
critique of my cleverness
from our fish-out-of-tartar sauce professor:
a MAD Magazine Royston Ellis
who catted and groovied
like his tenure depended on it
and dressed like a coffeehouse bongo bum
straight out of Peter Gunn
replete with Maynard Krebs goatee
and turtleneck that was all mock-tortoise.
Later I was broom-saddled
with the Wicked Witch of the Midwest;
a real cauldron stirrer
in a pointed tweed hat
who saw fit to criticize her meal tickets
for not coming to the table pre-prepared
and languished over praises
of her own fabrications—
acrylics of dead twigs
on blue mud backgrounds
in hand-sewn books
that couldn’t be read—
and proved that she
earned every inch of her ugly.
I was angry when I left,
Feeling cheated and abused,
But despite—or perhaps because of—
Their best efforts
It was a learning experience;
And wasn’t that what I had applied for
After all?
After all?
Comes A Soft Rain
The sound of car doors slamming sends the dog to barking
and I arrive in the living room
to see,
out the windows,
a string of vehicles hugging the curb across the street
on this pale gray day
like dormant cars of a train waiting to be loaded.
And toward the end of the line
is that old hearse the color of stainless steel
with the novelty lights shaped like old lanterns pressed
into its sides,
and its coachman standing by its hood ornament,
clearing his throat and looking up at the sky.
Old Earl arrives in his purple van
and I shoot him a smile and nod at his back
through the window.
Even if he can’t see me, it’s the gesture that counts.
Old Earl—who reminds me of
a less vaudeville version of my grandfather,
slowly paces himself up the church steps
with plastic-wrapped lilies in his cracked wax hands.
And then
as the first throaty moan of that old organ
grieves that it’s being pressed into service again,
comes a soft rain from the
respectful sky,
a brief fit of weeping to pay its regards
and send stragglers scurrying
into the chapel,
followed by a split in the clouds
like dry skin cracked at the elbow
to let the sun beam down white-hot.
A coincidence clear enough
to cause a circumspect cynic like me
to reexamine all those heavy-handed
meteorological metaphors
used by those taffy-fisted screenwriters
in Hollywood.
in Hollywood.
Tatters of Blue
The gold-kissed blue of summer
has once again paled
and stifled itself in the dingy
grey sweater of winter
The trees have gone
nude, shed their scales
and plumage
as if to show how much
stronger they are than me
in my coat and hat and gloves
and still shaking at the joints
while they stand firm
and dormant, yes–
but steadfast all the same
And I notice
a break in the clouds
Despite itself the blue
sky couldn't help but
peek from its hiding place
to see what it might be missing,
to see if anyone was
actually searching for it
(It's a game we play with it
in Minnesota
for six long months)
Just a patch–
three small holes–
like tatters of blue on concrete
and it has made my afternoon.
has once again paled
and stifled itself in the dingy
grey sweater of winter
The trees have gone
nude, shed their scales
and plumage
as if to show how much
stronger they are than me
in my coat and hat and gloves
and still shaking at the joints
while they stand firm
and dormant, yes–
but steadfast all the same
And I notice
a break in the clouds
Despite itself the blue
sky couldn't help but
peek from its hiding place
to see what it might be missing,
to see if anyone was
actually searching for it
(It's a game we play with it
in Minnesota
for six long months)
Just a patch–
three small holes–
like tatters of blue on concrete
and it has made my afternoon.
Chagrinning Jester
Watching the westward sky
steeping in its evening blue
as jellyfish clouds swim by
the sun a rosy smear on
the horizon line
By the sundial the day is done
but before tomorrow I must yet lay
with all the mistakes of today
steeping in its evening blue
as jellyfish clouds swim by
the sun a rosy smear on
the horizon line
By the sundial the day is done
but before tomorrow I must yet lay
with all the mistakes of today
Thursday, November 2, 2017
Secret Basement Lab Alphabet: Z is for Zombie Jamboree
Z is for ZOMBIE JAMBOREE
I was walking one night
Around Lake Winona
When I met a lady
Who knelt on the shore there
She was using a bone
That she held in her hand
To carve a shape into the wet sand
I said to the lady “Miss, what you doing?”
“I’m calling a loa” she answered while moving
She writhed in the moonlight
And chanted some words
And into the shape
She threw feathers from birds
I asked her why she
Would call on this thing
She said she could hear the
Night voices sing
The wind on the water
The wind in the trees
The caw of the crow
And the knock of my knees
And it would be selfish
She explained to me
To not celebrate
The music with a party
She pointed ‘cross the water
To Woodlawn Cemetery
And said she was raisin’ the dead
For a zombie jamboree.
Jump through the fire
And twice ‘round the stones
Hear the night wind
Playing on the xylabones
She held out her hand
And said “Come dance with me
And the living dead at
The Zombie Jamboree.”
Around Lake Winona
When I met a lady
Who knelt on the shore there
She was using a bone
That she held in her hand
To carve a shape into the wet sand
I said to the lady “Miss, what you doing?”
“I’m calling a loa” she answered while moving
She writhed in the moonlight
And chanted some words
And into the shape
She threw feathers from birds
I asked her why she
Would call on this thing
She said she could hear the
Night voices sing
The wind on the water
The wind in the trees
The caw of the crow
And the knock of my knees
And it would be selfish
She explained to me
To not celebrate
The music with a party
She pointed ‘cross the water
To Woodlawn Cemetery
And said she was raisin’ the dead
For a zombie jamboree.
Jump through the fire
And twice ‘round the stones
Hear the night wind
Playing on the xylabones
She held out her hand
And said “Come dance with me
And the living dead at
The Zombie Jamboree.”
Secret Basement Lab Alphabet: Y is for YOUTHFUL VESSEL
Secret Basement Lab Alphabet: Y is for YOUTHFUL VESSEL
Whether Haggard's "She-who-must-be-obeyed"–the eternally youthful Ayesha of Kôr; the curse of la strega, passed down from generation to generation; or young Helen Grovsenor, Imhotep's princess Ankh-en-es-amon reborn centuries later; or even the network of vitality operating under the tender flesh of young mortals, sought out by the ivory-fanged vampires; the wicked have always sought eternal life through new youthful vessels.
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