The sound of car doors slamming sends the dog to barking
and I arrive in the living room
to see,
out the windows,
a string of vehicles hugging the curb across the street
on this pale gray day
like dormant cars of a train waiting to be loaded.
And toward the end of the line
is that old hearse the color of stainless steel
with the novelty lights shaped like old lanterns pressed
into its sides,
and its coachman standing by its hood ornament,
clearing his throat and looking up at the sky.
Old Earl arrives in his purple van
and I shoot him a smile and nod at his back
through the window.
Even if he can’t see me, it’s the gesture that counts.
Old Earl—who reminds me of
a less vaudeville version of my grandfather,
slowly paces himself up the church steps
with plastic-wrapped lilies in his cracked wax hands.
And then
as the first throaty moan of that old organ
grieves that it’s being pressed into service again,
comes a soft rain from the
respectful sky,
a brief fit of weeping to pay its regards
and send stragglers scurrying
into the chapel,
followed by a split in the clouds
like dry skin cracked at the elbow
to let the sun beam down white-hot.
A coincidence clear enough
to cause a circumspect cynic like me
to reexamine all those heavy-handed
meteorological metaphors
used by those taffy-fisted screenwriters
in Hollywood.
in Hollywood.
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